Traditions & Customs
National Anthem
Here are the stirring lines
of the Welsh National Anthem:


Crafts
Celtic Jewellery
Celtic Croft and varied shops
still offer ranges of Celtic Jewellery, both from small independent
manufacturers - one Scottish and One Irish. The jewellery is complemented with
a range of pewter in traditional designs.
Jewellery is normally made to
order, but Celtic Croft carries a large inventory. You can call or visit
the store to see the exciting range.
Featured below are the
Celtic Wedding bands, available in Silver and Gold. These bands represent
the highest quality workmanship
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Each band is available in Sterling Silver, Gold and Platinum.
These classic designs are made from true Celtic Designs made in the Orkney
Islands, off the North East coast of Scotland, and are some of the highest
quality available. Each band is cast in the desired style.
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The National Welsh Museum
No other British museum claims
such a dazzling range of displays on art, natural history and science. You can
visit the spectacular exhibition on the creation of Wales, complete with
animated Ice Age creatures and simulated Big Bang, discover one of the finest collections
of art treasures in Europe.
The Welsh Museum of St Fagans
Wales’s wealth of tradition and culture is
brought to life in one of Europe’s foremost open-air museums. Within a 100-acre
parkland a unique collection of furnished re-erected buildings reflects the
lifestyles of the past, both at home and at work from the nobleman in his
Elizabethan mansion to the quarryman in his humble one-room cottage. Among the
30 buildings, there are cottages, farmhouses, a tollhouse, cockpit and chapel
and even a Victorian school. Within the various working buildings craftsmen
demonstrate their skills using traditional tools and equipment. They show
working woollen and flour mills, a blacksmith's forge, and the saddler, cooper
and wood turner's workshops. Cattle, sheep and poultry complete the rural
scene. Recent popular acquisitions include a terrace of six cottages and a
Victorian shop complex from the industrial valleys of South Wales. The most
recent development is a Celtic village settlement where a primitive way of life
is seen and experienced.
The Legend of the Lovespoon
The Welsh tradition of giving gifts of carved wooden spoons to loved
ones to symbolise affection is a tradition which has its roots in centuries
long past. In fact, the English expression –to go “spooning”- is believed to
have its origins in this ancient Welsh custom.
It is sometimes thought that the love spoon represented an early type of
engagement ring, or perhaps that the presentation and subsequent acceptance of
the carved spoon at least confirmed the beginning of a serious courtship.
While there is much uncertainty about the exact history of the love
spoon legend, it is generally widely accepted that certain designs incorporate
specific meanings.
Here are a few of the spoon symbols and their significance:
¨
A Wheel: Willingness to work for a
loved one.
¨
Keys, Keyholes My house is yours
¨
Single Heart My heart is yours
¨
Double Hearts We feel the same about each other
¨
Anchor Steadfastness or my love is safe with you
or home to say
¨
Celtic Cross Faith or marriage
¨
Leaves Growing Love
¨
Bells Marriage
¨
Horse Shoe Good luck and happiness
¨
Barley Sugar Twist Derived from the rope theme carved by
sailors
¨
Flowers Courtship
¨
Ball in Cage Captured love or No. of
children desired or Years together
¨
Chain Links Captured love or No. of
children desired or Years together
¨
Double Spoons The couple
¨
Triple Spoons The couple and hoped for family
The National
Costume
The Welsh national costume evolved in
Wales in the late 18th century as a development of the costume worn
in town and country. The typical female costume, as designed and made popular
by lady Llanover, was made up of the following: Tallhat, made out of hard board
with thin beaver fabric glued on to it, white cap, worn under the hat, made of
cotton or muslin with long frilled lappets extending down the shoulders, bed
gown, petticoat, small shawl, cloak, apron. The garments are made of Welsh
flannel.
The precise origins of the Welsh Costume are unclear, but there is some
evidence of the 17th
and 18th Centuries.
The Welsh lady’s hat was originally believed to have been low-crowned,
similar to hats worn by men of the period, whereas the taller, more familiar
hat became popular at a later date.
In the 19th Century, it was recorded that women were wearing
Welsh flannel with checks and stripes, this development could have been the
first evidence of the Welsh Costume as we now know it.
By the end of the 19th Century, fashion dictated colour and
style, where skirts and blouses of cotton and silk replaced the old, flannel
bed gown, the original bonnet, which had been worn under the hat, was replaced
with lace under the hat itself. Lace was also added to the bodice and cuffs and
a smaller apron were considered more fashionable.
The costume is usually worn by young girls throughout Wales on St
David’s Day.
The Eisteddfod
On St David’s Day it is
customary for schools, colleges and various Welsh Societies to hold an
Eisteddfod. The Eisteddfod is a competitive festival of song, dance, music,
drama and literature. The term “eisteddfod” is much older than the festival
itself, it was originally used for any king in session, but was later
restricted to a session of the bards held to discuss matters relating to their
craft and to codify the regulation of their guild. These early eisteddfodau
were not necessarily competitive.
The most coveted prize in the
eisteddfod is the ceremonial chair. Why a chair? A thousand years ago in the
courts of the independent Welsh kings and princes the official court poet had
his seat or “chair” in the royal household. The first competitive eisteddfod is
believed to have been held by Lord Rhys in his new castle in Cardigan in 1176.
There were two chief contests –one was poetic, to test the skill of the bards
in the traditional Welsh meters, the other was musical, open to minstrels and
pipers of any nation.
The present form o the
eisteddfod is a nineteenth century creation. Wales at time was country where
the national language and culture lacked patronage because the property owning
gentry had become Anglicised, so the medieval meeting of the bards called an
eisteddfod was revived as a means of attracting patronage for Welsh cultural
activity. At first competitions were confined to poetry composition and harp
playing, but today choir singing, brass bands, acting, recitation, fiction
writing, painting, cultural competition for writers, poets and musicians and
much more is judged at an eisteddfod.
The ceremonies of this
Eisteddfod are carried out by the Gorsedd of Bards, which is an association of
people interested in Welsh literature and music. The members dress in white,
blue or green robes according to their rank or order and elect from themselves
a leader who is known as the Arch druid. This year’s Eisteddfod will be the
turn of Llanelli, in SouthWest Wales to welcome the first Eisteddfod of the 21st
century.
Dancers, singers and choirs from every part of the
world converge to take part in this global festival of music. This history
event will be situated on the Waterfront Millennium Coastal Park, which is
currently being re-developed with National Lottery Assistance. The main sponsor
for the year 2000 Eisteddfod will be Carmarthenshire County Council.
Builth Wells High School Eisteddfod,
Friday February 18th 2000
Monday, February 7th
Every year at BWHS, a festival called Eisteddfod takes place. This
year it was on Friday February the 18th 2000, in the sports hall of
the school. Many categories were represented such as song, drama, music, and so
on. The whole day, all the pupils confronted each other, in order to win a
prize given by the headmaster. A few judges noted and judged them
on their capacities and their performances on the
stage in front of all the pupils of the High School who didn’t have any lessons
during this festival. Eisteddfod consists of many disciplines, like plays,
mimes, famous songs, poems in English, in French or in German and some extracts
from classical music played by pupils. Two French students also participated by
playing the violin and organ! It was a real pleasure to see and hear them and
the Welsh students enjoyed it too…
Eisteddfod is really a big
feast for BWHS and many other schools in Wales but it has also been a national
festival since 1880 held annually alternately in North and South Wales.
Shrove
Tuesday Customs
Like
everywhere in Christendom it was the custom in Wales for people to go to Church
on the morning of Shrove Tuesday to make their confession and to be absolved
from their sins or ‘shriven’ before the start of Lent. In many places church
bells would be rung to summon the faithful. In some place the custom of ringing
the bell survived but only with different purpose –as a signal for pancakes to
be put on the fire! Abstinence from rich food during the season of Lend
remained a common observance in Wales and Shrove Tuesday was the day when
pancakes were made to use up the last butter and fat in the kitchen.
On Shrove
Tuesday it was the custom for children to go begging and singing for pancakes
at the kitchen door. The rest of the day was a holiday and therefore a time for
sports and games. The most popular was “the football match” , but played as a
free-for-all without any rules to inhibit the fun! However there were two towns
which stopped this game in 1838 because of the fighting which accompanied it.
In the
evening, under cover of darkness, young men would also play a game with the
Lenten Crock. This consisted of a hollowed turnip containing samples of the
plain food of Lent such as bread, cabbage and leek. The crock would be placed
on the windowsill of the house of a family who might be suspected of indulging
in rich foods that were inappropriate for Lent. If any visitor is caught the
rules of the game required him to clean the “best boots” of the house and
before leaving he would be given a generous feast of pancakes.
Lent was
recognised as a valuable time of preparation for Holy Week and the great
Festival of Easter.
Bastien Pouvreau